Volcanic Tongue Catalogue

Mats Gustafsson & Yoshimi
Words On The Floor

Smalltown Superjazz STSJ-114

CD
£10.99


Duo set from eviscerating European free-punk saxophonist Mats Gustafsson and Yoshimi of The Boredoms with a great avant-prog feel that is somewhere between Joan La Barbara, Univers Zero, Jeanne Lee/Jimmy Lyons and those early Amy Sheffer discs. Which means it works a whole other form of subtle magic than you might expect from the previous lung-feats of these too. Not to say that at points they don't tear each other heads off and dribble down their throats. It's just that between there and here there's a whole lot of evocative mystery that is pitched towards the more liminal vectors of your brain, resulting in long passages of sustained, barely-there eeriness. Which is more than great. Gustafsson plays slide sax, tenor sax, baritone sax, alto fluteophone and electronics, Yoshimi plays voice and electronics.

Tarfala Trio
Syzygy

NoBusiness Records NBLP-35/36

2xLP + 7”
£33.99


Excellent live set, stunningly rendered, from the trio of saxophonist Mats Gustafsson, bassist Barry Guy and drummer Raymond Strid. Tarfala formed in 1992 after a meeting at the Solo-92 Festival in Sweden. There have been two CDs so far on the Maya Recordings label but this deluxe 2xLP gatefold set with a bonus 7” and a large glossy booklet represents their first vinyl outing. This is classic high-energy free jazz, with Guy’s playing serving to drill them an elemental foundation deep into the earth, anchoring furious string navigations with massively heavy bottom end bombs that Strid knocks around all over the place, shepherding them into weird time fluxes that somehow combine static detail with constant movement. Gustafsson is, of course, one of the premier deconstructive thinkers on the saxophone but here his playing feels more focussed on classic free jazz grace and power, matching Peter Brotzmann in terms of lyrical fury and radical invention. Edition of 600 copies. Recommended. 

Sonore
Cafe OTO/London

Trost TR-108

LP
£18.99


Beautifully rendered live recording of the world-beating trio of saxophonists Peter Brotzmann, Mats Gustafsson and Ken Vandermark captured by the BBC’s Jazz On 3 for radio broadcast at London’s Cafe OTO in April of 2011. The absence of drums give the music a spectacular hymnal/gospel quality, with three horns testifying in fast, chirruping waves underlined by hypnotic, ululating drones and delicate asides. Indeed, the most striking aspect of the recording is the lightness of touch. You would think with a trio of conceptualists this weighty that the set would be more about monolithic force but there are long passages of beautiful, fluttering blues that seem to have as much to do with Jimmy Giuffre – or even Chet Baker/Terry Riley – as it does to post-FMP wildmanisms. All three players interact with a profound feel for the unravelling of compositions, laying down a slow-moving counterpoint that allows the horns to pirouette higher and higher, circling in bird-like hypnotics and carving spectacularly dramatic arcs of martial melody. A phenomenal set. 180g vinyl, edition of 500 copies.

Mats Gustafsson
Bengt

Utech URLP-072

LP + CD
£16.99


Stunning new LP/CD set from free European saxophonist Mats Gustafsson, dedicated to the memory of his late mentor the saxophonist Bengt Nordstrom: Nordstrom is best known for producing Albert Ayler’s first recording, Something Different!!!!!!, and he was also a talented saxophonist, playing solo free improvised saxophone as early as 1962.  For Bengt, Gustafsson moves to a plastic Grafton alto sax, the same one favoured by Nordstrom, making this a unique entry in his back catalogue. The sound is breathy, muted, with a soft muffled tone that sounds at points like Frank Lowe or Marion Brown and Gustafsson’s playing is oddly lyrical, ripping through staggered scales and sounding single note fanfares in a way that is utterly compulsive. The rigour is still there, the deconstructive vision, but this one feels somehow more affirmative, a classic solo record in the mode of Braxton’s For Alto and Kaoru Abe’s Live At Gaya series. On white vinyl in an edition of 500 copies with a bonus CD edition of the album bundled alongside it. Highly recommended!

John Stevens/Trevor Watts/Barry Guy
Application Intercation And...

Hi 4 Head Records HFH-002

CD
£10.99


The trio of drummer John Stevens, bassist Barry Guy and saxophonist Trevor Watts was one of Stevens's hottest small groups and the two records they cut for Spotlite in the late 70s are Atlantic straddling classics that reconcile the emotive supernatural force of the late Albert Ayler with the exacting microdetail of the post SME set. Application Interaction And... was the second of these discs, the first, No Fear, having already been made available on CD by Hi 4 Head. At points the fidelity is pretty murky, with Stevens sounding like he's playing his kit with boxing gloves and Guy's bass almost overloading the speakers but all of that bottom end works as a delicious contrast to the upper register blasts that Watts peels from the ceiling. Guy is on inspired form and Watts' evocative, bluesy cries bring out the Charlie Haden in him, dropping yo-yoing notes right into the bell of Watts's horn and plunging across register. The arco passage that caps the first piece sounds like more like a tiny rainbow of electronics than mere hairs on wire and Watts falls into step with a slow marching motif that feels more channelled than improvised. Stevens is better served by the second track, where his subtle time inversions and emphatic punctuation throw up countless phantom goalposts for Guy and Watts to make for. An excellent restoration of a great set.