Dense, primordial mud-drones and clammy earth-synth from this unit that features Clay Ruby and various members of the Davenport cultus. “Sounds like the tropics meet Wisconsin ” – PN.

"It's hard to ever take Ryan aka Dr. Quinn Medicine Woman too seriously. In fact, he calls Wolfenstein 3d his "new age" album. It's not all that new agey but it's definitely new territory. He brings a stellar focus to his usual barrage of bizarre electronics and droning that will make you sea sick and in awe of his mixing mastery. Full Color art + comes with 3D GLASSES!" - PN.

All-new limited volume of forlorn, laminal string drone and phantom landscape construction from this close associate of Emeralds et al. Already sold out at source.

Solo six-string abuse from Chris Riggs, the guitar slinger who usurped Zac Davis' seat in Ben Hall's Traum/Trauma set-up. This is some of the most extreme, extended work from Riggs yet, with growling, mechanical retorts that sound like steel strings being fed-though conveyor belts of metal teeth and elastic band soundings. Hard to believe the sound source is all-guitar, pretty remarkable.

New sax/guitar drone extremity from this San Francisco duo that collide a non-stop gush of metal feedback and wailing single notes headfirst into saxophone hallelujahs and slow-motion Borbetomagus vibes. 

Double CD edition of a double cassette from Cleveland’s Skin Graft aka Wyatt Howland. Skin Graft have a particularly puzzling/beguiling take on basic noise tectonics, sometimes worrying a single sound source to rubber, sometimes exploding nothing but a patch lead into countless formal contortions. Cancerous is particularly minimal, with flat-lined metal tones that pulse with primitive electricity and almost Hive Mind-style nada braincell rot.