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Rust Ionics
Moving/Pictures
Colour Sounds Recordings 018
LP
£email for wholesale rate
"Moving/Pictures" marks the first vinyl release on Colour Sounds Recordings, and drummer Adam Kriney declares "This is the most insane record I've ever recorded", nuff said? A black sheet of improvised sonic skull-fuckery from the depths of the most mind-splitting free-noise/brutal-jazz movement, brought to you by the ad-hoc first/only recording of RUST IONICS, the trio of freak drummer Adam Kriney (OWL XOUNDS/LA OTRACINA/BLIZZARDS/CASTANETS), electric guitar wizard Doug Theriault (OFFICE PRODUCTS/DUAL, collab-er with Wally Shoup/Jeph Jerman/Brian Eubanks), and extreme sax-ist Ed Chang (DUAL/SPIN-17/AGENTS At MIDNIGHT, collab-er with Marshall Allen/Ravi Padmanabha). Full on grindcore/metal scapes clashed with fiercely extended saxaphone use and a dynamic whirl of free-improvisational magic, all together a blinding force, a drugged memory, and a leave-no-survivors presense. Comes on transparent blue vinyl in a limited edition of 311 copies in a clear picture disc sleeve. Recommended for fans of BORBETOMAGUS, Keiji Haino, PAINKILLER, and Peter Brotmann's more extreme work. (Dig the RUSH spoof/tribute album title!)" - Colour Sounds Recordings
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Owl Xounds
Teenagers From Mars
Colour Sounds Recordings 006
LP
£email for wholesale rate
"We here at Mad Monk have been fans of Adam Kriney's many projects over the past few years and feel deeply honored to offer the vinyl debut of his long-running fucked-jazz unit Owl Xounds (formerly OWL SOUNDS). Taking their psychedelic rhyhmic core of drummer Kriney (LA OTRACINA/BLIZZARDS/RUST IONICS/CASTANETS/THE PLACES) and upright bassist Gene Janas (Screamin Jaw Hawkins/Bern Nix's SEDITION ENSEMBLE) to any reedsman up for the challenge, the boys explode it all with Austrian sax-ist Mario Rechtern, who has been invlolved with free-music since the late 60's playing in the REFORM ART UNIT (with Sunny Murray, Linda Sharrock, & Leena Conquest) and more recently as a guest in the Weasel Walter QUARTET/SEXTET/TRIO. Truly and honorably a post-ESP expression, it is much a post-SST expression. While the instrumentation and framework are a staple of the jazz/improvisaion tradition, the directions and velocities at which OWL XOUNDS exist are just as informed of the worlds of hardcore/punk and experimental noise. Citing the MISFITS as the most important band in his musical education, drummer/leader Kriney always felt the connection between the punk he grew up on and the free-jazz he became aware of later in life, the energy, the volume, the commitment, and most importantly the UNDENIABILITY of them both! And similarly the ostracism of the two is not to be ignored, being an outsider, the alienation from popular music, from popular culture, and from everyone around who just 'didn't get it' were also of significance. It is with these considerations that this LP was named, for after all, from Albert Ayler to Thurston Moore to Glenn Danzig to Kawabata Makoto to Peter Brotzmann, 'they' and 'we' are all Teenagers From Mars, and we don't care!"
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